Mewtwo Returns To Smash Bros, But You’ll Have To Purchase Both 3DS & Wii U Versions To Get Him For Free

Ah, you almost fooled us, Sakurai! Who called it, World?

My Nintendo News

The Super Smash Bros Nintendo Direct has revealed a veteran fighter is returning to the battle. Popular among many Smash fans, Mewtwo is back and ready to take down a few fighters in the arena. Fans will be able to grab him for free in Spring 2015 providing you’ve registered both the 3DS and Wii U versions of the game in a special online promotion. More details will become available in the future on the promotion, so stay tuned.

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Nick Jonas, “Jealous”

2014 seemed more concerned with Nick Jonas’s body than with the pop-singer’s actual career.  After releasing 2010’s surprisingly mature debut with “The Administration” (his back-up band made up of Prince’s New Power Generation, a.k.a. something meant to rival Selena Gomez’s “The Scene”), Nick took on Broadway in “How To Succeed in Business Without Really Trying” before returning to the studio. Free of the Administration (and the Elvis Costello comparisons) and the stage-make up, Nick has returned to the pop scene with a slew of singles from his forthcoming album.


Barely reaching the Top 40, Jonas’s second single, “Jealous delivers the most out of these buzz singles with pop hooks a la white-boy-Billy Ocean/Lionel Ritchie. The song is a typical 22-year old boy–er, man’s (I mean, c’mon. Have you seen those pictures yet!?) attempt at “puffing his chest” for that night’s girl (Olivia Culpo?). Falsetto-ridden, current, and simply catchy, “Jealous” does its job well as 3-minutes of radio airtime filler.

Nick’s underestimated voice, however, sounds confined on his return to the studio after  hearing his recordings from Succeed. True, the demands of Broadway/theatre singing aren’t always appreciated by the Top 40. The strong tone, control, and pacing found in Broadway performers, however, would serve any singer well. Jonas (whose impressive performance as J. Pierrepont Finch took many off-guard) could learn a lot from Idina Menzel. Perhaps the most overplayed song of the year, “Let It Go” nevertheless shows a seasoned Broadway singer able to bring her expertise to the Top 40.

Don’t get me wrong. For an ex-boy band member, Nick is in a good place with  “Jealous.” — in other words, he’s everything Jesse McCartney wasn’t when he was crooning 2004’s “Beautiful Soul.”

Sakurai Says Smash Bros Clone Haters Are Mostly Children And It Cannot Be Helped

Have you been reading my WordPress, Sakurai? 😛

My Nintendo News

Super Smash Bros director Masahiro Sakurai has taken some time out in his weekly column in Famitsu to explain the cloned characters in the recently released Nintendo 3DS version. Sakurai says that those who are the most vocal about the characters are mainly kids who are just extremely passionate about the game. Here’s what he had to say in Famitsu.

“There are 3 fighters [Lucina, Dark Pit, and Doctor Mario] that are alternate models (clones) in the game. Each was originally a color variation, but during development, they were given balanced characteristics. Since their functionality had differences, forms were separated from each other. However, it was vital that this didn’t increase the required man-hours. Some relative tuning was sufficient as it wasn’t necessary to create balancing from scratch.”

“This is like a free dessert after a luxurious meal that was prepared free of charge. In a restaurant with this type of service, I…

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Fight of the Clones: Why Mewtwo for the Super Smash Bros. Series?

Despite recent stock shortages in Japan, the first portable version of the Super Smash Bros. Series left many fans disappointed. Gamers worldwide were outraged at the inclusion of seemingly redundant character “clones” —essentially, characters that borrow movesets and movements from an already existing character—such as Lucina, Dark Pit, and Dr. Mario. Both the 3DS version and the yet-to-be released Wii U edition of the Nintendo brawler touts an extra 12 characters to Brawl‘s own roster. While the likes of Ganondorf, Toon Link, and Luigi prove to be repetitive, yet essential additions to a game highlighting the Nintendo canon, Dark Pit and Dr. Mario should’ve been obvious candidates for alternate costumes.

In short, I’ve been waiting for this game for 10 years now—specifically, since my 10th birthday when I unwrapped my own smoke gray Nintendo 64, a copy of the original SSB, and Pokemon Yellow. Within hours of playing, I dreamt of a copy of the SSB game I could play anywhere and everywhere.

Then Mewtwo was featured in the SSB sequel, Brawl. Needless to say, I was nostalgically ecstatic.

Mewtwo has long reigned as one of Pokemon’s most controversial members—both in and outside of Super Smash Bros. When Melee was released to cater to the original’s success, the Smash Back Room (forums of the most popular SSB online forums, SmashBoards), listed Mewtwo as the worst character in the series. The website cited an awkward combination of large stature, light weight, and “floatiness”(“Smash Wiki”). Despite impressive throws and and superior jumping abilities, the notorious villain would only climb 5 more spots on the Smashboards list.

Mewtwo clones would come and go.  Lucario, and Greninja were crammed into the series in an attempt at cross promotion with the most recent Pokemon game releases at the time. Nintendo would try to mold Lucario into the newest Pokemon rebel through feature length movies and prominent roles in game storyboards that capitalized on the psychic-like possibilities of “aura” and Lucario’s preference for solitude. It seemed Nintendo itself yearned for the return of its own Frankenstein. Even Greninja’s “Water Shuriken” move in SSB3ds would invoke the nebulous imagery of Mewtwo’s preferred projectile in Melee, “Shadow Ball.”


True, I am biased. I grew up with the original 151 Pokemon (Yes, Mewtwo was my favorite) and saw the first feature length Pokemon film, Mewtwo Strikes Back, in theaters. This nostalgia, however, seems justified. Sakurai’s decision to not only include Charizard (a first-generation veteran) as a playable fighter (sans Brawl’s Pokemon Trainer) but also his Mega-Evolution as a Final Smash, showed the creator’s own willingness at reaching back to the generation that started it all. Why couldn’t Nintendo capitalize on Mewtwo’s two Mega-Evolution’s which single-handedly raised Mewtwo back from the 90’s and into the awareness of a new generation of gamers? You can stream hours of Youtube videos of Melee and Brawl hackers who’ve created a convincing mod of Mega Mewtwo Y (Watch Here!). Why couldn’t Mewtwo—arguably, the more complex and influential of the two— receive the Charizard treatment?

10 years after receiving SSB, I am by-far pleased with Masahiro Sakurai’s newest release.  I hardly consider myself the gamer or Pokemon fan I was as a kid; if anything, the release of SSB3DS has reawakened my innate game junkie. Still, the likes of Dark Pit and Dr. Mario are agonizing options for such a landmark release in the SSB. franchise. Meanwhile, other newcomers such as Greninja and the Duck Hunt duo (which seem to have replaced the veteran Ice Climbers—or maybe that was Robin?) are quirky, (even refreshing, perhaps?) nods to Nintendo’s past and present.

While many forum lists have debated which Nintendo elites—some veterans, others new SSB possibilities—would’ve been better suited for inclusion in the newest generation of the SSB franchise, I find Pokemon X & Y’s recent unveiling of Mewtwo’s mega-evolutions, and the character’s reputable past in the series as more than sufficient reasons for Mewtwo’s return—in terms of playability and promotion of other concurrent series.

Got a better fighter in mind? Leave a comment below!