Tag Archives: R#8

“Bitch Better Have My Money,” Rihanna

After the lead single from Rihanna’s untitled 8th album, “FourFiveSeconds,” proved an uncharacteristic smash for the R&B chart topper, fans and critics alike proposed Rihanna had finally ditched the club anthems. With the controversial, “Bitch Better Have My Money,” however, the Rihanna Navy saw the return of their urban diva.

The trap single features hoarse, aggressive vocals and addictive drum fills that sound like outtakes from producer Kanye West’s Yeezus sessions. Between “machine gun ad-libs” and thin synth lines, the cut relies on Rihanna’s combative, yet rousing performance. The lyrics leave much open to interpretation, especially after considering the risque line, “Your wife in the back seat of my brand-new, foreign car/Don’t act like you forgot, I call the shots!”

Just days before the single’s rushed release, Rihanna told media outlets that she aimed to make “timeless music” that would still appeal to audiences 15 years later. The release of “BBHMM”, however, fell short of these ambitions. Toeing in line with previous singles such as Loud‘s “Man Down” and Unapologetic‘s “Pour It Up,” “BBHMM” lacks the hooks that jettisoned trademark singles such as “We Found Love” and “Only Girl (In The World)” to the top of the charts.The single capitalizes on the relatively new introduction of trap into mainstream R&B and relies on an all-to-brief sense of sensationalism. Despite a catchy drum outro, and a much publicized iHeartMedia performance, the track has yet to make a sizable impression.

Rihanna, Kanye West, & Paul McCartney, “FourFiveSeconds”

Finally, the “Great Rihanna Drought of 2014” is officially over! On Saturday night, the Barbadian native dropped the new single, “FourFiveSeconds” after teasing her fans with Instagram studio snippets of two new tracks, including “Kiss It Better,” and the addictive, “Ain’t None Of This Promised.” True to Rihanna’s word that any new music would be announced via her directly, an iTunes link to the the new track was advertised on her official website with little warning (West did, however, tease the track at last week’s iHeartMedia Music Summit).

Despite Rihanna’s pushing for the track, it’s uncertain whether the cut is indeed the lead single from Rihanna’s much anticipated follow-up to 2012’s Grammy Award-winning, Unapologetic. The sparse, country influenced track features Kanye West and Paul McCartney, who previously made headlines this year after releasing West’s ode to daughter, North, “Only One.” As such, it’s questionable whether “FourFiveSeconds,” which in-itself is a drastic departure from Rihanna’s urban R&B sound, is a release from the songstress’s tentatively titled, “#R8,” or just another single from Kanye West’s own 8th studio release.

Featuring Sir McCartney on a simple acoustic guitar backdrop and organ bridge, Rihanna’s vocals shine on the track’s D major chord progression. A regretful tune detailing wayward partying and its subsequent remorse, the track’s stripped production and instrumentation is an unlikely, yet refreshing addition to the duo’s list of hits. While Rihanna’s return to the studio showcases strong and emotive vocals, Kanye’s own contribution flounders next to the “Stay” hit-maker’s formidable performance with an unnecessary pitched vocal loop underscoring Kanye’s own lackluster singing.

Grab your umbrellas, Rihanna Navy! It’ll be raining hits soon enough!

Below is Rihanna’s own viral reaction to the song’s iTunes release:

UPDATE: “This is the first song that my fans are going to hear from the new album.” Can’t help but notice that  Rihanna and McCartney never even look at each other, let alone speak with one another!